January 15th, 2011, by admin

Category: Animation

Year: 2010

Rating: 7.8/10 ()

Director: Sylvain Chomet

Country: UK

Language: English

Runtime: Germany: 90 min (Berlin International Film Festival)  | USA: 80 min

Release Date: 16 June 2010 (Belgium) See more »

Writers: Sylvain Chomet (adaptation), Jacques Tati (original screenplay)

Movie Storyline
Details the story of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever.

Cast:
Jean-Claude Donda - The Illusionist / French Cinema Manager (voice)
Eilidh Rankin - Alice (voice)
Duncan MacNeil - Additional Voices (voice)
Raymond Mearns - Additional Voices (voice)
James T. Muir - Additional Voices (voice)
Tom Urie - Additional Voices (voice)
Paul Bandey - Additional Voices (voice)
-

Sound Mix: DTS

Color: Color

Filming Locations: Edinburgh, Scotland, UK

Soundtracks:
"Chanson Illusionist" Written & Composed by Sylvain Chomet Published by Django Films Ltd Performed by Didier Gustin, Jil Aigrot and Frédéric Lebon

Official Site(s): Official site |

Trivia:
Setting of Tati's original script was Prague, but Sylvain Chomet moved it to Edinburgh, where he lives and has his animation studio.

Crazy Credits:
At the end of the final credits, there's a short bonus scene.

User Review:

, rated:
There are some awkward things that the market laws and peculiarities make happen once in a while. This is a film that belongs in the pocket of animation followers, not mainstream animation, in the tradition of the great studios, but animation in the more meditative tradition of the once called fine arts. Animation as a form worth by its own materialization. In other words, the drawings are worth simply for existing, we can appreciate such a film for the flavour of its own world, as much as we can appreciate a sketch of Michelangelo regardless of the whatever he is showing. The particular basic skills of each creative leader goes nearly untouched to the screen where we watch the film. That's what makes me look for author animation once in a while: the visual worlds are visceral and direct, as if the film was being drawn at the same time you watch them.

Chomet is a filmmaker whose personal world is worth visiting. His meditative approach is fully aligned with the narratives he chooses. Here that meditation found a perfect set in the rainy hills of Edinburgh, a city i've never visited but which i imagine must be much rougher than this one we have on film. the narrative begins with the magician wandering through different places, different countries, until he finds the one city that suits the mood the filmmaker wants to tell.

The self-reference is clear here: Chomet is the magician. The Tati double is for the people that surround him as Chomet is to us the audiences. You think the trick is about the rabbit and the hat? No, the trick is about the tricker. You think the story is about Tati's script? No, the story is about what Chomet does with it. The master self-reflexive stroke here is, of course, the moment when our animated magician gets in a theatre to find a projection of Tati's Mon Oncle going on. The distance, metaphorical and visual, between animation and the live-action film we get on screen accounts for the semiotic importance of this bit. The fact that we get to see the animated and the real Tati on the same frame accounts for the will Chomet had to make us compare both.

Much has been said about this Tati connection, how it gives birth to the animated character, and how it mimics Tati in his approach. I don't make much of it, at least not in the terms that generally people have been putting into it. Tati certainly en forms the character, and inspires the moves, but the puppeteer is Chomet, not Tati. What we see are his moves, not Tati's. And the pace, and visual narrative, all that belongs to Chomet's world. But we are lead into believing we will watch Tati coming our of the grave. That's the trick, that's the illusion.

My opinion: 4/5

http://www.7eyes.wordpress.com

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November 27th, 2008, by admin
Category: 16
All Genres: Drama, Mystery, Romance, Thriller
Release Year: 2006
Country: Czech Republic, USA
Runtime: 110
Rating: (0)
Languages: English
Director: Neil Burger
Sound: SDDS, Dolby Digital
Taglines:
  • Nothing is what it seems

  • Writing by: Neil Burger - (screenplay)
    Steven Millhauser - (short story "Eisenheim the Illusionist")

    Produced by: Jane Garnett - executive producer
    Joey Horvitz - executive producer
    Tom Karnowski - co-producer
    Brian Koppelman - producer
    David Levien - producer
    Ted Liebowitz - executive producer
    Michael London - producer
    David Minkowski - co-producer
    Tom Nunan - executive producer
    Cathy Schulman - producer
    Matthew Stillman - co-producer
    Bob Yari - producer

    Cast: Edward Norton - Eisenheim
    Paul Giamatti - Inspector Uhl
    Jessica Biel - Sophie
    Rufus Sewell - Crown Prince Leopold
    Eddie Marsan - Josef Fischer (as Edward Marsan)
    Jake Wood - Jurka
    Tom Fisher - Willigut
    Aaron Johnson - Young Eisenheim
    Eleanor Tomlinson - Young Sophie
    Karl Johnson - Doctor / Old Man
    Vincent Franklin - Loschek

    Music: Philip Glass
    Official Website: Visit Website


    Plot Outline: In turn-of-the-century Vienna, a magician uses his abilities to secure the love of a woman far above his social standing.
    Plot: A young boy falls in love with a girl that is way above his social standards along with the art of magic. Although the parents forbid them of seeing each other they cannot be split apart. Until one day they were found together and the boy was sent off. He became a magician and traveled the world. She fell in love with another man, the Crown Prince. The two got engaged but the boy, Eisenheim, finally meets back up with the girl and uses his powers to free her from the royal house in Vienna.

    Movie Quotes: Eisenheim: Everything you have seen here has been an illusion.


    Crazy Credits: We know about 1 Crazy Credits. One of them reads:
    Star Trevor Huster (as "Steve) earned two interesting credits for the film: "Best Man in the Water" for a sequence requiring him to lay face down in a freezing cold stream for back-to-back days of filming. And "1st to Pass Out" as a result of filming the dialogue-heavy porch chat scenes with George Petrus (Jake) which required the two to swig Erie Brewing Company's famous Railbender Ale for 20+ takes.

    Goofs: We know about 17 goofs. Here comes one of them:
    Boom mic visible: Near the end of the film, Chief Inspector Uhl is in Prince Leopold's office. In the close-up scene when the two argue, you can clearly view the boom mike, going from one character to the other, in the reflection on the brass table lamp.

    Trivia: There are 13 entries in the trivia list - like these:
    • Although the story is fictional, some of the details are based on the life of Austrian Crown Prince Rudolf, only son of Emperor Franz Josef. The painting of the emperor which Eisenheim creates is an actual portrait of Franz Josef. The bodies of Rudolf and his mistress, the Baroness Mary Vetsera, were found at his hunting lodge Mayerling on January 30, 1889 in what is now known as the "Mayerling Incident". This was initially covered up by the Imperial Family, creating controversy and mystery.
    • When Prince Leopold is approached by Inspector Uhl, while hunting, to inform him of Eisenheim and Sophie's meetings, the Prince asks what they were seen doing together. The line about if they were seen "fornicating" was originally filmed as him saying "fucking" instead. They dubbed in the word "fornicating" to avoid an R-Rating in compliance with the MPAA's policy that the f-word not be used in reference to intercourse in a PG-13 film.
    • Edward Norton did many of his own magic tricks, with the coaching of James Freedman. He worked with Norton preparing him for his stage performances and acted as a hand double in numerous situations.


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